• September 29, 2008 - finally here

It's official! I've finished the painting! This was my second two-page spread illustration for The Girlhood Home Companion. It is a scene of a mom and four daughters working in the kitchen, making pumpkin pies and gingerbread people.
   
I ended up adding a border all around the outside edge so I could more easily pull in a fall color scheme. This was one of the trickiest paintings I've worked on so far because cabinetry was involved!

~here is one of the girls, the littlest of them all~
she really wanted to help make the gingerbread men!

Once it was all done (what a moment of satisfied realization that was!), I took a picture of it and Emily fixed the coloring in LightRoom. The original looks so dull compared to the final edit we settled on. I hope Mrs. Novak likes it!

If you would light to own your own copy of the magazine this will be featured in, just click here to order!

I will get back to posting more lessons soon!
-Breezy
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• August 15, 2008 - perhaps a blessings in disguise

I'd like to to begin this post by thanking all my faithful readers for their unending support. Even though I don't reply to all of your comments, please know that they are appreciated and I'm glad that you enjoy the lessons.

Many of you have left lovely comments on my drawings - because that is all I let you see. Well, my friends...
Today you're going to see my mistakes!

For example, here is a fine specimen of a thumbnail I drew. Rough, yet the idea is safe on paper. The composition is simple and quite appealing if I may say so.

It was based on a drawing I made last year. Desiring to maintain the original feel, I kept the straight-on shot, directly facing the bookcases.

Mistake #1 - I didn't experiment. I had an idea, felt comfortable, assumed it would work, and then took off.

Good Idea #1 - I made a color sketch, no bigger than 3"x4". Mapped out where I wanted the colors to go, and got a general feel for the finished look I was going for.

Norman Rockwell made a color sketch for every painting he made, and I highly recommend this step.

When I posted about using water-soluble oils, I spoke too soon.
Mistake #2 - I wasn't familiar enough with the medium to justify the expectation of a masterpiece. You can see the color sketch and beginning of the painting here.

After waiting, and waiting, and waiting for the paint to dry, Mom coaxed me out of my stubbornness and had me begin again. This time in watercolors.

The base of the bookshelves had me worried for a while. I couldn't quite get it to appear in the shadows while maintaining the that old, warm, woody look. Eventually after painting layer over layer, scrubbing and reworking, I ended up with a very muddy, dissatisfying, crusty-looking angular mass dominating the lower portion of my painting.

Mistake #3 - Expecting the combination of cool and warm colors to not look muddy. I also believe the over-use of the ruler and painting within straight ink lines felt very oppressive. It literally felt like coloring in the lines with grainy mud rather than expressing a cozy, imaginative environment.

I felt depressed. I didn't even want to finish the books.

Mom talked with me a while, letting me pour out my troubles and woes. All of a sudden, she stood up and said, "Come on, let's go outside."

As we reached the oak tree, she told me run to the pine trees. I ran to the pine trees. When I returned, she told me to run to the grape vines. I ran to the grape vines. Knowing I needed the fresh air and therapy, I continued to follow orders, running here and there about about the yard.

Refreshed, and out of breath, we went back inside. Emily was working at the computers and needed to ask Mom's opinion on something. I lethargically sat at my drawing table and considered the possibilities of actually winning the battle of defeat.

Reaching for my black Prismacolor pencil, I jabbed at an idea. A happy stick person.

And then this emerged:


A
humble thumbnail, no larger than a folded dollar bill. But it gave me hope. I proceeded to develop the new angle, a three-quarter shot of the bookcases. Inspired by Jesse Wilcox Smith's "Reading in Winter," I quickly drew another one, this time adding a younger (and cuter and more interesting) young fellow than before.











A
t that moment I began to adventurously wonder if this was "the one." I nearly screamed for joy. In fact, I did end up squealing very loudly.











Epiphany and inspiration had collided in one gigantic frenzy, proving that a phoenix can rise from the ashes. I ran back outside and danced around for shear joy. (I've become more emotional about my work lately.)

God is so good! To lead me to a point where I was so worn out, and then to lay in my lap a darling composition I am more than eager to work with could only be the Providential hand of God.

I can't tell you how much I like this painting I'm working on now! It will require lots of focus, but it will be a cheerful one, striving for just the look I'm going for.
-Breezy


This was also posted at a bowl of moss & pebbles

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• August 1, 2008 - Painting and Drawing

After a long break from watercolors, I needed to jump back in. Its a fairly small painting, and to my delight it actually turned out kinda cute. I wanted to post some parts of it here on the Drawing Blog to show you that drawing does not need to be complex.




Even very simple drawings can be pleasing to the eye as well as fun to draw. Something doesn't have to look just like a photograph. If everyone drew like a camera, how would we all show our different feelings and personalities? Don't let the "rules" of drawing trap or limit  you.
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• June 20, 2008 - Drawing Flowers - 02

Posted in Drawing Flowers
This week's lesson is on drawing a rose. These principals can apply to many other flowers, and anything else you wish to draw. I'm just using a rose as a reference.

When you have all your materials ready, and your subject set up, begin by really looking at it. Notice the fine details, the unusual shapes, and relationships between the unusual shapes. Developing a sense of appreciation for the thing you are drawing (if you don't already have much affection for it) will help in your desire to capture it on paper. Without this, you may feel like you are wasting your time.

Begin with a loose sketch, mapping the basic outlines - stem, leaves, flower head, vase. It starts similar to the daisy.

The petals of a rose can be quite tricky, so map out the outside with a circle, mark where your center is, and then work towards the center. Don't just count them :) Make sure the outside of the petals are accurate if you wish to make all the other petals fit on the inside.

Little by little it will take shape. Lots of adjustments here and there should be expected, so if it takes some time, don't worry. Enjoy the process.

Sometimes I think certain points in the flower as an "landmark" or "anchor" when lots of "line action" seems to happen around that area. I make sure that those important areas are the most accurate so as to not throw off the other lines that depend on it. For example,  I may notice that several petals may touch a landmark's right side and base, or, the center of the flower is the starting point of every petal, etc. It's good to double-check your subject, study it often, and keep things in proportion to each other.

Fill in the "chunks" of dark, medium-darks, and all the shades in between. I've used the cross-hatching technique to shade. Sometimes I'll let the curve of the petal dictate how I lay down my lines. Kind of like a plaid blanket resting on a wavy surface. Some lines radiate from the center, others curve and bend.

The leaves are shaded with diagonal lines all headed the same direction. I did not draw much of the vase because I did not feel that it added to the rose. Nothing needs to be overly complex or detailed. Some of the simplest drawings can speak volumes because of what they say, not how they say it.

Once you've finished tweaking and shading everything, erase the smudges from around your drawing.

Ta-da! There's your rose!

Have a great weekend - God bless
-Breezy

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• June 14, 2008 - Sketching throughout Life

Posted in My Sketches
(1) Here are some doodles and sketches I've done from my "people watching." This first page is a hand study of a 2-yo girl at my church.

(2) These were drawn while I had some free time. It's so easy to just sit and stare at people, but I knew it'd be time better spent practicing. I'd sit and watch someone for a few seconds, waiting to find a movement they'd repeat. But when my patience wore thin I just had to stare really hard and memorize portions of people and their movements. It can get overwhelming when I want to draw a whole person and don't know where to begin, so I just look for bits and pieces I know I need practice on. 

(3) This little cutie was too adorable to resist, and since I was sitting at a safe distance. I tried to capture a bit of her personality. She was so energetic I hardly had room for her on my folded printer paper.

I also learned an important drawing lesson in communications that I must pass on to all of you. My mom and sister thought it would be nice for me to actually tell the girl's family that I was drawing her. There was an older lady and another girl (who could have been a sister or cousin) with her. After some reluctance, I walked toward the lady and showed her my work.

"My mom thought I should tell you, I was drawing your granddaughter - she's so cute..."

"Actually, she's my daughter."

"Oh, I'm so sorry," I said, as I was turning nine shades of red. "I'm so sorry. She is so cute."

Lesson: If you aren't sure about family relationships, keep remarks general and positive. I could of referred to her daughter as "this little sweet heart" and avoided some embarrassment. But I learned a lesson, and wanted to warn you that things like this may happen to you when you draw in public.

God bless,
-Breezy
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• June 6, 2008 - Take a breather...

Posted in Art Quotes
Hello dear friends,
Due to the fact that 4-H is rapidly upon us, I will be taking a short break from posting and be back next week. I shall leave you with some quotes for you to ponder while I'm away. Although the last two aren't really about art, I had to share them with you.

"The whole difference between a construction and a creation is exactly this: that a thing constructed can be loved after it is constructed; but a thing created is loved before it exists." -G.K. Chesterton

"There is at the back of every artist's mind... the landscape of his dreams; the strange flora and fauna of his own secret planet; the sort of thing he likes to think about. This general atmosphere... governs all his creations, however varied." -G. K. Chesterton

"The artistic temperament is a disease which afflicts amateurs." -G. K. Chesterton

"An inconvenience is only an adventure wrongly considered; an adventure is only an inconvenience rightly considered." -G.K. Chesterton

"Poets have been mysteriously silent on the subject of cheese." -G. K. Chesterton

-See ya'll next week!
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• May 30, 2008 - Drawing Flowers - 01

Posted in Drawing Flowers
This week's lesson is on drawing flowers.

I'm gonna use a daisy. :)

Most flowers may be begun and mapped out with a circle. Draw the basic shape of the center first and then the limits of the petals (see photo above). When looking at your flower you may notice that the petals do not form a perfect circle. Loosely sketch the little quirks and direction the petals are heading (as in photo below).

Look closely at your specimen.
Don't count and draw every petal - it'll take the fun out of drawing. I must confess, I rarely count anything unless it's really important. Notice that the petals growing toward you may look much shorter than the other petals. Also take a look at the the center - there is a neat spiral pattern that you may wish to sketch in.

If your flower is in a vase, the flower probably isn't standing straight up. If it's leaning over, don't let yourself draw a perfectly upright flower. That tilt could bring a flare of natural life to your work.

Add the details. No need to rush.
 
Add shadows and shading.

Shade the stem and leaves. (All the above photos were done in a black colored pencil, which is hard to completely erase. The one below is in a regular drawing pencil, and the last has black colored pencil for darker shading.)

As you fine-tune the flower, erase some of the extra-sketchy lines. If you have a B pencil, try darkening some of the shading, but not too much. Keep it light and delicate.

And after that's all done, top it off with the flower's name, the date, and your name.
  
VOILA!
You have drawn a flower!

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Welcome to The Drawing Blog! Here you will find tips and lessons on drawing and sketching. I hope this blog gives you encouragement and inspiration for one of the most rewarding pass-times! God bless -BreezyTulip

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